Golmaal Returns is funny By Preeti Arora . Buzz18 Oct 29, 2008
This Ajay Devgan-starrer is the surprise package of this year
Golmaal Returns is probably one of the most awaited films this year. And simply for one reason that Golmaal was a huge hit. Frankly I never liked the first part. There were too many gags, the comic timing was off and the dialogues fell flat at many places. So it was with a certain amount of reserve that I entered the auditorium for Golmaal Returns. Also two of my favourite actors Paresh Rawal and Sharman Joshi were missing from the sequel… It seemed like the director Rohit Shetty was simply trying to cash in on the success of his debut venture.
Twenty minutes into the film and I found myself laughing out loud. Golmmal Returns like its predecessor revolves around four men whose lives are inextricably intertwined. Gopal (Ajay Devgan) is married to Ekta (Kareena Kapoor ) who is a K-soap addict. She's convinced her husband is cheating on her. Tusshar Kapoor plays Ekta's dumb brother who's unable to speak. He survives by speaking gibberish and really funny gestures. At one point Gopal spends the night outside the house. But due to Ekta's suspicious temprament he can't tell her the truth. Unfortunately for him his worst enemy gets murdered that night. And as Gopal struggles to establish his innocence, the noose around his neck just seems to get tighter and tighter.
It's more than two years since Golmaal released and the director has taken his own time to emerge with the sequel. And a lot of effort has gone into the script. Essentially the film remains a comic caper but the timing is perfect. Every sequence is well scripted and tightly edited. So despite the fact that the 30 minutes of the film the director is just establishing the characters and their various personalities the film doesn't drag. Actually you keep waiting to see what is likely to happen next.
Tusshar deserves the credit
If Tusshar was good in Golmaal he is excellent in this film. He's back with his favourite dialogue 'Mayar Oot'. For those who haven't seen the first part they can figure out what it stands for. And thankfully the director has used it with a great deal of restraint so every time he utters this curse you find yourself laughing all over again.
Superb performances from the entire cast
But it's not just his stuttering dialogues. Since he can't speak he uses his whole body to convey emotions. And the expression in his eyes changes from minute to minute. In all probability Tusshar Kapoor will walk away with most of the awards for best performance in a comic role.
Kareena Kapoor looks very good in the film. And she succeeds in looking thin without looking haggard. And she manages to ooze sex appeal irrespective of what she is wearing. But her role itself is very limited so there's nothing much she can do in this film.
Shreyas Talpade is the new entrant instead of Sharman Joshi. And luckily his chemistry with the earlier trio Arshad Warsi, Ajay Devgan and Tusshar Kapoor clicks perfectly. They are all simply amazing.
Ajay Devgan is a very effective counterpart to Tusshar's effervescence and ebullience. And Arshad Warsi as the gleeful inspector is a sheer delight. Most of the kids in the audience start giggling the minute Arshad appears on screen.
Four men dressed in drag
There's one sequence where all four men appear dressed up as women. And unfortunately more often than not these sequences in Bollywood tend to be executed in a cheap and lewd fashion. There's a very fine dividing line between crass and vulgar. And the director does not cross this line. In fact seeing Arshad Warsi dressed up as a famous lead actress (I refuse to tell you the name) had me in splits of laughter.
Spoofs need not offend
The director has taken potshots at a few well-known directors such as Sanjay Bhansali and Aditya Chopra. There are a few jokes on films also particularly Saawariya, Tashan and Black. In fact Munni's character is a take-off on Rani Mukerji's role in Saawariya. But it's been done in good taste. Spoofs needn't always be loud in your face.
Long live the tattoos
Saif Ali Khan may or may not have his girlfriend's name tattooed on his arm. But even at this minute there are probably millions of girls carving their husbands/boyfriends would do the same. And the director has used this brilliantly in the opening sequence.
Why this film works!
A tight script and good comic timing help to maintain the pace. The film drags briefly before the interval but then it picks up again. And in the earlier films the characters were simple unsophisticated college dropouts. Here they are men of the world. They look good and they dress flashily. Which goes perfectly well with the storyline. Thankfully there has been no attempt to overload the film with songs even though the music is by pritam. In all probability the one dialogue 'Shaque what the f***! will be used for years after the film.
What doesn't work
The film has been shot almost entirely in India. And it's good that simple fun films do not need grand locations. But a little more thought could have been given to the locations. And a lot of sequences, which have been shot on sets, would work much better if they were shot on location. And the women are completely wasted. Especially Amrita Arora! But the film makes you laugh…
Verdict: If you are in the mood to watch a harebrained comic caper this film is perfect Diwali viewing.
October 30, 2008 5:31:41 PM IST By Martin D'Souza, Bollywood Trade News Network
GOLMAAL RETURNS with a bang. There's no Rimi Sen and Sharman Joshi but there's Kareena Kapoor, Amrita Arora and Shreyas Talpade whose acts along with Ajay Devgan, Tusshar Kapoor and Arshad Warsi bring the house down. Director Rohit Shetty makes sure there's plenty of goof up on screen to spice up this Diwali.
From beginning to the end, save for a few lax moments, the film races on. Tusshar Kapoor as Lucky is a complete riot. He has the audience in splits with his class dumb act. An extremely lovable character. Ajay Devgan (Gopal) as the husband always caught on the wrong foot for doing the right things by his wife whose mind works overtime is superb. Kareena Kapoor (Ekta) shines as the wife whose passion is watching saas bahu serials on television and forever doubting her husband. Shreyas Talpade (Laxman Prasad Apte) as the man who has a solution for every problem connects well with the cast and Arshad Warsi as the bumbling ACP Madhav is energetic. Amrita Arora surprises with her performance keeping in tune with Kareena and the rest of the cast when action demands. No one goes over board and no one tries to steal the scene from another. The actors have a complete blast.
The movie begins with the title track that immediately sets the tempo of things to follow and when the scene follows with Sharat Saxena (the boss of a fishing exports company) mixing his idioms, you know Rohit is headed in the right direction. From there, the rest if the cast combine brilliantly to bring on a super comedy, which is sure to have you in splits.
The movie revolves around Ekta's many doubts which put Gopal in a quandary. Add to it a murder on the night Gopal failed to return home because he was with another woman. The situation is ripe for some bizarre scenes. Thankfully, Rohit never once goes over the top with his comedy.
The scene where Lucky and Anjana Sukhani (Daisy) woo each other with Gopal and Laxman trying to distract them is a delight. Ditto when Lucky tries, on numerous occasions to tell of a situation in his limited ways (actions and sound). No great script but the treatment makes up for the lack of it.
An out and out entertainer, sure to light up the festive season.
Ich fand ihn ganz gut und er gefiel mir auch besser als Golmaal, den fand ich ja schon gut :o , aber unter anderen Umständen eben (Ajay hatte schon ewig keinen Comedy-Film mehr gemacht und wir wurden noch nicht so zugedröhnt mit Comedy-Filmen).
GR, finde ich, ist nicht so nervig als ich es erwartet hatte. Nur Tusshar nervte mich ab und an mit seinen „Dialogen“, den Indern scheint es jedoch zu gefallen (nach den Reaktionen im Kino zu urteilen). Auch ich fand einige Szenen völlig überflüssig, gerade die Schluss-Szene im Lovers-Point war zu sehr in die Länge gezogen und nervte irgendwann nur noch. Die Darsteller/innen fand ich alle ganz ordentlich.
In einer News hatte ich gelesen, dass der Film 3 Stunden (wäre wahrscheinlich auch für mich zu lang gewesen) gehen soll, im Kino kam der Film gerade mal auf 2:20 h. Interessant wäre mal was da so alles entfernt wurde (von dem einen Song mal abgesehen).
Zitat von elfogadunkAlso unterhalten hat mich der Film wirklich gut, auch wenn teilweise doch ziemlich nervige Sachen dabei waren. Dass er in Indien so ein Riesenmegaerfolg ist, kann ich zwar nicht so ganz verstehen, aber ich gönne es allen Beteiligten und vorallem Ajay. ;):D
Dem schliesse ich mich mal an ;) .
Und natürlich sah Ajay sehr lecker aus :o . Natürlich nicht der Teil wo er in Frauenklamotten rumläuft
Docky Dockrat’s Bollywood Scene Published:May 17, 2009
Golmaal Returns (6/10): Call me cynical but India’s multiplex strike has come at an opportune moment for those producers and distributors who decided to freeze all their releases until June over a revenue-share dispute with the multiplex owners.
“Opportune” because the strike coincides with the IPL and, if last years cinema attendances are anything to go, the IPL impacts so negatively on the movie business that this is as good a time as any to stage a strike.
Consequently, there hasn’t been a single notable release since the IPL commenced on April 18 and only the odd film, like 99, is expected between now and the end of the month by which time the IPL will be over and normal service can resume.
Local cinema chains have opted to address the drought by re-releasing this comedy which slipped under the radar when it came out last year. It’s not a bad move by any means, not that this is a good movie but it’s so ludicrous that it’s critic proof and to be fair it delivers a damn good laugh.
Here director Rohit Shetty reassembles the cast from his 2007 hit Golmaal and infuses it with some glamour in the form of Kareena Kapoor. The result is a laugh fest that regularly dips below the belt but is still good fun.
As with any farce, the lead actors are faced with a sticky situation of their own making that they are required to weasel their way out of. In this instance, Gopal (Ajay Devgan), the manager of a fishery, is accused of murdering one of his colleagues with whom he had an altercation shortly before the man’s death. Gopal is doomed, but the fishiest thing about him is not his job — it’s his roving eye for girls. And that’s his only hope — to prove an alibi that on the night in question, he was saving a beautiful damsel (Celina Jaitley) in distress and had spent the night with her.
Admitting it is easier said than done as it poses an even bigger problem. His over possessive wife (Kareena Kapoor) will have his head for breakfast, his body for lunch and his feet for dinner if he she found out about his philandering ways. To compound matters, the local police inspector (Arshad Warsi), who has been trailing him for some time, is determined to see him behind bars.
That’s the short of it; the long is established via a lengthy list of characters who play a part in con-tributing to the mayhem. The most irritating of these is Tusshar Kapoor, who plays a verbally impaired (if such a thing exists) guy who makes funny noises. To call him dumb is an insult to the mute unless the description is applied literally! Fortunately his girlfriend (Anjana Sukhani from Salaam-e-Ishq) relies on lip reading so at least they understand each other. Amrita Arora plays Devgan’s sister, but their sibling love turns to rivalry when she gets involved with the cop who is tailing him. Easily the best performer of them all is Shreyas Talpade who looks to fleece Devgan but ends up becoming an ally but for one minor hindrance — the woman he wishes to marry is the same one with whom Devgan had spent his fateful night and it’s only a matter of time before he finds out!
It’s a loony tale no doubt and Shetty uses it to conjure a chaotic film that leads the audience on a joyride and, although there times when the wheels come pretty close to falling off with one crazy turn too many, he negotiates it through to a fittingly funny conclusion.
Although none of the cast is required to act in the purest sense of the word, they are required to perform and Devgan proves his versatility by breezing through his role. Kapoor’s suspicious-wife act is a hoot, with melodrama marking every turn in her character’s fortunes. Warsi’s police act is a pleasant change for someone who is usually a rogue. But the one who overshadows them all is the gifted Talpade. The scene where he joins Devgan and Tushar in drag suggests that he would make a very attractive woman!
In full farce form the dialogues are loaded with double entendres, Buri nazar se mat dekho puri nazar se dekho (don’t look with evil eyes but have a lengthy ogle) is one of the many lines sprouted and some of the ripostes are just as clever— bhabhi maa samaan, maal samaan nahin (your sister-in-law is the equivalent of your mother, not attractive goods to be ogled) is a typical example.
This sequel entrenches Golmaal as a Bollywood franchise. Two down. — number three must surely be on its way.
FOOTNOTE: Rohit Shetty swears by Ajay Devgan, who has starred in all his movies: Zameen, the original Golmaal, Sunday and now this one. His next movie, All The Best, is produced by Devgan.
MUMBAI: MAX will launch a two week comedy film festival called Comedy is King from 10 – 21 August.
The movies will be aired at 8 pm from Monday to Friday.
The films that will be aired are Partner starring Salman Khan and Govinda, Hadh Kar Di Aapne starring Govinda, Satte Pe Satta starring Amitabh Bachchan and Rekha, Golmaal – Fun Unlimited starring Ajay Devgan, Kareena Kapoor, Arshad Warsi, Tusshar Kapoor.
The channel will also be airing movies like Apna Sapna Money Money, Kyo Kii… Main Jhuth Nahin Bolta, Good Boy Bad Boy, Jaadugar, Aamdani Atthanni Kharcha Rupaiya and Jis Desh Mein Ganga Rehta Hai.